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Jason Aldean "My Kinda Party"













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Zac Brown Band "The Foundation"

Ay up! it's Wednesday! It's a bit cloudy out! You will probably need a plethora of video breakdowns to get you over your midweek hump (i had my midweek hump before work this morning. It was most satisfying). And even if you don't need them, they are (hopefully) an amusing distraction from the new "Bonnie Tyler remixed"-esque Lady Gaga album :) Grab a cuppa, a nice digestive and dig in my pretties. It's going to be tremendulent...

LE KID ~ AMERICA:

• It all starts off very pink. Like an extremely pink Reservoir Dogs with the Kidders strolling down a hallway looking very cocksure of themselves. The girls have nice yellow heels on.
• Anton looks very lovely indeed, but that is generally to be expected. I like his hi-top trainers.
• At around 20 seconds, there is a very close up of a microphone. It manages to look very sexual indeed and I am rarely aroused by inanimate objects. Though I did sort of fancy Ken when I was little!
• It turns out the young Kidders are playing to some old folks in what looks suspiciously like an old people's home. They are being generally ignored. This is qu'elle tragique. Though quite civilised and restrained of the oldies. If they were playing in my front room, I'd be leaping around like a loon on loon tablets at a loon convention.
• (I would also probably throw my pants at Anton, but I cannot confirm or deny these rumours)!
• They give it their all, but sadly the oldies seem to be more interested in their game of Wist. It is a bit addictive though isn't it? Like an old tyme equivalent of Tetris...
• Oh it's time to move on. Le Kid get changed in a laundry room and the beardy dude is fiddling with Anton's bow tie. As Doctor Who affirmates on a regular basis "bow ties are cool". This is stone cold fact people...
• They do a typical pre-show all hands on top of each "and break!" type movement. This has no doubt got them all excited for their next corporate gig! Amazes!
• It's playing to a bunch of salesmen who are at the less pretty end of the spectrum. Or perhaps Le Kid are just so darned attractive that anyone looks less pretty next to them. Or perhaps the people at the sales conference have inner beauty. Discuss :P
• They can't even spell Le Kid (LA KID?!) right the silly sales people and one fella is having a rollicking time clapping horribly out of time. The goon :)
• From about 2m20s onwards for ten seconds or so, the two Le Kid fellas are really rocking out in the background. Both clearly have "the allure". I may have rewound and watched that bit a few times...
• Fed up of the sales conference, a tiny european car has taken them to their latest gig, where they seem to have adopted a nautical theme. This is quite wise as everyone knows boat shoes are very de rigour (particularly when paired with chinos and a stripey top). Le Kid for the fashion win
• They appear now to be at some dire party where people have to chug brown booze to make the night seem better. Surely even just the mention of Le Kid would make this party happen?!
• OH NO! Someone has done that drunk unkle at a wedding thing of tying their tie round their head like a warrior. They do not look very warrior like, though they are rocking the "booze sweats" look magnificently!!
• Thanks to beer goggles and a swoony Le Kid track, some people are finally finding love. Presumably in America. Mercifully it all ends before the couple on the dancefloor start dry humping ;)
• Just so you know, the song is still musical brilliance. Bring on the album!!

MAROON 5 ft LADY ANTEBELLUM ~ OUT OF GOODBYES:

• After that lovely diversion that was the free track in 24 hours, which is still quite rollicking, Maroon 5 are now back with that lovely track from Hands All Over that features those country superstars, Lady Antebellum.
• There is a fire. And some water. And a grizzled old cowboy who is being sponged down by some nubile young thing.
• She appears to be patching up his gunshot wound while having a good old sing song to each other. It reminds me of a western. Probably that Paint Your Wagons spoof from the Simpsons some years back :)
• After a minute, this is essentially still happening. It's as carefully considered as Brokeback Mountain. The English Literature dude in me (not literally) would say that the languid, portrait nature of the visual is representative of the musical style of the song. That sounds proper fancy!
• (Really I'm just picturing a video that is a bit Brokeback with Adam and the sandyblonde LA fella!!)
• She is taking out a bit of buck shot. This is like deleted scenes from Dr Quinn: Medicine Woman. That was quite a good saturday night show wasn't it?
• This is a dramatically different video to Misery isn't it? I'm two minutes in now and nothing else has happened either. I was hoping Adam would show up Bonanza style. That would be skill!
• OOO HANG ON! FRONTIER LAND PORN! There is a flash of lady garter (not lady gaga) at around 2m35s. The floozy ties it around the fellas boot. What on earth does this mean!? Is it like college dudes hanging their frat tie on the door??
• Oh! It just got interesting. After carefully cleaning his wounds, the frontier chick takes grizzled old souse cowboy's gun, tells him he is "out of goodbyes" (ah continuity) and pops a hole in his chest. The end.
• That was a bit intense wasn't it? Like a Brandon Flowers video for Crossfire but without the fella in peril aspect...

MICKEY CUPID ~ WE ONLY CARE ABOUT THE WEEKEND:

• I wrote about this standout track from the excellent and exquisite new Mickey Cupid EP, "Baptized In The Sun", not so long back. Now there is a video that is equally as magnificent as the song.
• (Sidebar ~ although it couldn't be more perfect as it is, I sort of want the Sugababes to come back with a single that is very much in the same vein as this. They should absolutely work with Mickey Cupid)
• In sheer contrast to the maroon 5 video, so much happens in the first twenty seconds that it is hard to keep up! There is some high speed motorway action, some rehearsing and some slick/sick dance moves.
• Then they are on the underground, going down an escalator, doing some more moves and then looking quite pensive in the back of a car.
• Pause at exactly 47seconds and you will see a fella with the cares of the world upon his young shoulders. The only way to remedy this is to actually and only care about the weekend. (See what I did there??!)
• A lot more performing then happens in a sweaty club (you can't really tell it's sweaty, i'm making an assumption, but if I was swirling around with gay abandon to this song, I would probably work up a sweat). The tall dude with the hat is doing his mixing on a laptop. In your history books you will one day read about when people just mixed with a thing called vinyl. Oh how times change :)
• At around a minute and a half, a girl sort of is doing her own thing, swaying along with a glass of wine. This is very representative of me - except my enormous glass of wine never really gets that empty. I do like a constant top up!!
• Now it is in a recording studio, back on the underground and lugging a heavy rucksack around. I'm sort of exhausted and wanting Friday night to arrive just watching this...
• Then there is a brief but tantalising glimpse at the outdoor shoot that I believe popped up on their website recently.
• All too soon the whirlwind weekend is over and it's a manhug goodbye at the airport. And like all good pop music, you just can't wait for it to start again. Immensicles.

Greetings from Florida! Unless the British snow prevented me from getting here as I am writing this before I go but it won't go up on the blog until I'm actually in Florida. It's one of those Doctor Who time connundrums like Amy's gash (in her wall). Anyway, two of the most glorious songs that celebrate the festive season from the last two decades also happen to be the most covered! So I thought I would celebrate the originals and some of the sublime and ridiculous covers out there :) Enjoy and do let me know what you think - comments will be texted straight to my phone!!

ALL I WANT FOR CHRISTMAS IS YOU:

• Original Mariah version ~ let's face it, Mariah struck gold with this track. It's been a perennial christmas favourite, returning to the charts time and time again since 1994. It's joyful, it's upbeat, it's brimming with hope and optimism, full of jingle bells and a rollicking cantering beat propelling it all to festive glory. How can anyone hear this track and not be filled with an urge to hug everyone they are near?! Many have come close, but nothing has topped this and it's now one for the ages. And deservedly so...
• Love, Actually version ~ As long time readers will well be aware, Love, Actually is one of my favourite films of all time and definitely my most favourite film to watch several times before Christmas. This school play performance is improbably good and shows little orphan drummer boy trying to get his young lady friend Joanna to notice him through the power of beat! What follows is the young chap breaking all sorts of security rules to chase down his love through an airport all to a stirring instrumental. It's oddly affecting. Love love love. Off to watch again now!
• Mans Zelmerlow duet version ~ Well, good for Mans for turning the ebulliant original into something quite refined and dignified as a ballad version. His voices soothes like eggnog as he serenades the lovely Agnes Carlsson on this smooth, slowed down but equally lovely version. Click the link and see stills of Mans in all his winter finery. My fave ~ 22secs when his shirt sleeves are pushed up but he is still wearing a scarf. His neck is chilly but his arms are hot. Still totally snoggable under the mistletoe though!
• Lady Antebellum version ~ taken from their too short seasonal EP, this continues with the slowed down theme, but strips it back a little bit for a more countrified twang. It works quite well as it goes and makes for a most subtle rendition of a tune that works best as an over the top party poppers glitter fest. Surprisingly lovely!
• Big Time Rush version ~ I think if Simon Cowell worked it well, One Direction should be doing some songs like those on the BTR album. They've teamed up with Miranda Cosgrove on their cute tv show to perform this tune and jolly jolly they look doing it too. It's not a version that will change the world, but it's cheesy and fun and the video is too too adorable. Oh those boys!
• Mariah's extra festive version ~ There have been a couple of not very good at all remixes of this tune over the past few years (the less said about the hip hop version, the better) but Mariah has kept the essence of the original on her latest album, amped up the orchestral beginning and added a generous sprinkling of rousing drum beats. Reinvigorates the tune without losing any of the charm of the original. Well done Mrs Canon - it makes me want to write a whole musical based on her albums (hint, check back soon).

LAST CHRISTMAS:

• Wham version ~ Frankly i love a bit of heartbreaking tragedy set to a percolating and festive groove. Wham perfected this with their joyous (musically) and sad (lyrically) yuletide tune that quickly became as longlasting as their partnership was short. Try and find a Christmas store around the world that doesn't play this. Still the original and the best, though many others have tried (no, let's not discuss the Whigfield or Crazy Frog versions...)
• Alcazar version ~ look, if anyone is going to do a jingled up euro-pop version then it should absolutely be Alcazar. It's exactly the same as the Wham version but with female vocals, a higher bpm and a whole plethora of santa's crackers sound effects added in for good measure. It's jolly and jolly fantastic.
• Kimberley Locke version - presented as a stripped back acoustic hand clapping groove - her whole Christmas album is one of the best I've ever heard and this is a giddy treat. Beautiful vocals, different version but familiar enough that it is instantly warming and brimming with charm. Oh I adore Kimberley so very very much.
• Puppini Sisters version ~ As you already know, I'm loving their Christmas album and this jazzy version gives the song a whole new vibe and totally sounds like it belongs in some smoky downtown nightclub where sozzled old drunks are nursing their sorrows in a double brandy. Yes, it's that good.
• Glee version ~ the song that was released for the sake of it last year WITHOUT EVEN FEATURING IN AN EPISODE. Oh the avant gardness of it all. And they've tagged it onto this year's fairly disappointing festive album. It's a decent version - totally sounds like an X Factor single I suppose. Not the best of the bunch, but you can also check out versions by Atomic Kitten, Cascada, Busted, Coldplay, Darren Hayes, Hilary Duff, Human Nature, Jamelia, JLS, Little Boots, The Ordinary Boys, Taylor Swift, Travis and probably many more...

Did I miss any other versions of these songs? Back on Fri with a chart run down and more festive playlist madness :) Do stop by!

Ooo it really is the most wonderful time of the year. The walk to work this morning was jolly freezing, the fields were glistening with frost and I get to go home tonight and pack for two weeks of Florida! How magnifico. I have lots of posts to keep you going over the next couple of weeks and hope you will keep me entertained with plenty of comments as although I am having a self imposed internet exile (it's so cleansing!), comments will come straight to my phone. Hurrah! In the mean time (and in between time - guess that pop reference, 90s disney group fans!), here are 10 lovely new Christmas songs and one extremely brilliant non festive treat (for more excellent Christmas stuff visit John's writing on top40about.com)...

The non-festive nugget ~ Dirty Disco return with Storyteller:

Sometimes, just sometimes at Christmas you need a bit of respite from the relentless cheer and good tidings that are almost rammed down your throat. Dirty Disco's excellent and thoughtprovoking new single is just the tune to do this. Following on from deliriously bonkers yet quality pop like Sista, Vulture and White Room, the innovative and artsy group have returned with an intense, brooding, gothic electro tune. It's tinged with eerie synth sounds and a stark strumming guitar and tackles aging, our obsession with youth and fitting into a restrictive society while remaining true to yourself. If you need a comparison, try Kidz or SOS on the new Take That album - yet it's different to those and has it's own Dirty Disco charm. Adam's distinctive voice consumes the lyrics to make them both angry and regretful at times without sounding aggressive (though there is a rather glorious "fuck" early on). The instrumental parts weave together and elevate an already good tune into a great one - little touches like the sounds of strings at the end or the guitar playing off the synth give little frissons of excitement throughout. Check the video above too as Adam and the boys in some haunting costumes seek down the Storyteller they wish to become. Tremendous stuff...

10 New Christmas Tunes:

• Hurts ~ All I Want For Christmas Is New Years Day: Yay! Hurts top off a year of quality music with an exquisite new festive offering that examines the bleaker side of this time of year. With a familiar sounding shuffling beat, sound effects that sound like walking over freshly crunching snow and chiming bells through a soaring chorus, the boys look at how the hope can make one feel even more lonely and hopeless as the persevere to get through the season. I like a bit of bleakness at Christmas and this is one beautifully crafted tune that once again proves they are stars in the ascendency. Check out vinny vero's review also...
• Owl City ~ Peppermint Winter: It's Fireflies the festive edition and the complete antithesis of the Hurts track. It's a love letter to all the cheesiness of this time of year and how it's even more magical if you just embrace it. Full of feel good bon mots like "i troll through the driveway with angelic grace/til i slip on the sidewalk and fall on my face" & "the snowflakes are falling and I start to float/til my mean older brother shoves snow down my coat", it's built around a sleigh ride of bells and the glorious refrain "what's december without Christmas eve". Heavenly optimistic and joyful. Love.
• Mans Zelmerlow ~ Christmas (Baby Please Come Home): I shall return to Mans' festive album a few more times before the big day. His big band readings of yuletide faves are brimming with elegance and a genuine warmth and love for the genre and songs he sings. This is a classy addition to any Christmas dinner party soundtrack and gets you fingerclicking along. Brilliant orchestration of the music too. I'm loving Mans formal Christmas look too - you can just imagine him coming home, loosening his tie and smooching the face off you under the mistletoe. Now, that's magic :)
• Wilson Phillips ~ Warm Loving Christmastime: It's not the first time the Wilsons have done Christmas (indeed this song featured on the second Wilson linked Christmas album - Carnie's solo) but it is the first time they have all felt the seasonal pull together. And hurrah, it's glorious, particularly for a long standing Wilson Phillips fan like myself :) It's a swinging and fun pop song with enough added jingle and bells to make it feel as Christmas morn as possible. And those choruses are saturated in their amazing harmonies. So so lovely. Well worth the import charges!!
• Jessica Simpson ~ My Only Wish: Jessica gets a lot of stick and I'm not sure why. I'm glad she's done a Christmas album anyway. This single from it is a decent pop tune and a nice ode to her new fella. Showcases her great pop voice (come back from country music!) and reminds me of how fun some of her music has been. Bits of it are reminiscent of Darlene Love's Alone on Christmas (which Britney liberally borrowed for her christmas tune) but it's a catchy little number with a lovely intricate piano middle 8. marvy.
• Indigo Girls ~ Mistletoe: Who would have thought that a blue(grass) Christmas would be so enchanting? The Indigo Girls did - their Happy Holly Days album alternates between rollicking joy and reflective pauses. This is one of the most beautiful on the album - a stripped back lyrical poem, resonant in a superb tenor vocal and supported by subtle harmonies and a gentle guitar. Makes me stop and luxuriate in it's beauty each time I hear it. Reminds me a little of Bette Midler's The Folks Who Live On The Hill. Never thought i'd make that comparison, but it's a complimentary one :) Delightful tune that you should really check out...
• Pink Martini ~ A Snowglobe Christmas: It's like being transported to a simpler time when the movies were black and white and people wrote to each other using pen and paper. This is a timeless, hawaian tinged classic that would sound beautiful whatever time period you are in when sung like this. it's from a whole album of magical wonder and one that should really investigate. As close to Doris Day as you are going to get this snowglobe Christmas. Like a festive hug and kiss. Melts me every time.
• Mariah Carey ~ Christmastime Is In The Air Again: I'm sure I'll return to Mariah's new Christmas album again lots more before the 25th December. There are lots of fun moments on that but this is one of the slower, sipping mulled wine by the fireplace moments. It's a string laden track with a restrained and impeccable vocal from Mariah that enables the song to transcend genres and time. The pull of the tune is undeniable and I soon find myself having little memory flashbacks to the ghosts of my own Christmas past. Dickensian!
• Lady Antebellum ~ Have Yourself A Merry Little Christmas: A lovely little reading of this classic tune from the country group du jour. The cd of Christmas faves is (I believe) only available at Target but it's worth tracking down as it's full of faithful renditions like this that just sparkle with sincerity. Plus the fellas look proper foxy on the cover :)
• Puppini Sisters ~ Step Into Christmas: SCREAM! The Puppinis are back! And they have stuck to their absolutely delightful Andrews Sisters for the new millenium mantra. This has led to an amazing album of jazz tinged, boogie woogie Christmas faves and their turn on this Elton John fave is a fizzy explosion of joi de vivre all wrapped up in their tightly knitted harmonies. So much fun yet put together so very cleverly, very carefully and very well. Check out their older christmas tunes too like Jingle Bells and Little Match Girl. Top drawer!

Top 21 songs of the week

21 ~ Gabriella Cilmi, Defender (NE)
20 ~ Jessie J, Price Tag
19 ~ Ola, Riot
18 ~ McFly, Shine A Light
17 ~ Shayne Ward, Gotta Be Somebody
16 ~ Joe McElderry, Someone Wake Me Up (VID)
15 ~ Darin, Drowning
14 ~ Eric Saade, Break of Dawn
13 ~ Westlife, Safe
12 ~ Kylie, Better Than Today
11 ~ A1, In Love & I Hate It
10 ~ P!nk, Raise Your Glass
09 ~ Deborah Gibson, I Love You
08 ~ EMD, What Is Love?
07 ~ JLS, Love You More
06 ~ Le Kid, We Should Go Home Together
05 ~ Andrea Lewis ft Simon Curtis, Talk To Me
04 ~ Take That, The Flood
03 ~ Daniel Boys, To Make You Feel My Love
02 ~ Gravitonas, You Break Me Up
01 ~ Elouise, You'll Never Walk Alone (1 week)

I love Friday afternoon off. If Friday afternoon off were a hot dude, I would probably be going in for a clumsy first date smooch right about now. It's been a busy week but not an entirely bad one. The highlight was a riotous forty minutes or so, playing some new music on my now regular Larry Flick Morning Jolt slot. So much fun. A lot of time was also spent obsessively analysing queue patterns in Disney World and planning out the Florida trip. I may have overplanned and forgot to schedule "fun" in there... :P Anyway, prior to a mammoth Take That blog tomorrow and of course the monolith that is the X Factor sunday blog, here are some of the things to tide you over through the weekend...

FizzyPop Weekend Supplement:

• Nikita ~ Tonight: I am loving Nikita. Both the new show on The CW which makes me want to pretend I'm a rogue spy bringing down a clandestine government agency and this scintillating Blondie-esque disco track. It's a rather gorgeous, sparkling track that makes you want to grab the one you love and shimmy. Indeed, there is some magnificent layered vocals in the addictive chorus - part of it sounds like an updated I Feel Love while running behind that is the Blondie type Sunday Girl adlibs, all weaved together wonderfully by a pulsating electronica beat. Remember when Annie & Isabel Guzman were going to be the next big dance floor divas? They may have been outdone by Nikita. Instantly massive, this will get dance floors heated through the cold winter months. BTW, I know from personal experience that it sounds absolutely heavenly after 3 glasses of quite expensive wine...
• Annie Lennox ~ Universal Child: Annie Lennox was born on December 25th, ergo I feel she has earned her right to put out her Christmas Cornicopia. This track is the self penned lead single from that forthcoming collection and is an earnest, forthright sweeping song full of inspiring lyrics and a crescendo of instruments that never overshadow that distinctive vocal style. As a charity single it is probably everything that Madonna was trying to achieve with the somewhat weak and watery Hey You. Gets better with each listen and fine for a spin anytime of year. Love it.
• More Christmas albums ~ since I wrote about the upcoming Christmas song releases from various artists here, several more have hit the marketplace including - gasp - one of my fave girl groups Wilson Phillips!! Hurrah! They have done a Christmas album before, but that was back when it was just Carnie and Wendy! I need some Chynna in the mix. Also whipping out festive releases are Lady Antebellum (the boys look f-i-n-e on the cover), Sheryl Crow (a 2010 edition of a previously released album. Ka-ching) and uh, Katherine McPhee. It may only be October, but it's beginning to look a lot like Christmas...

• Simon Curtis ~ Since 8 Bit Heart garnered him a ferociously loyal following, it seems like Simon has been working hard to move onto the next stage of his career. He's been busy recording the heavenly Andrea Lewis duet (read about it here; my number one song this week!) and hopefully his new album with apparently some Ace of Base-esque beats on there will be available before Christmas. He's also been involved in the Love is Louder campaign, which aims to raise awareness of the struggles bullied teens go through, and provide them with some support and comfort. Vital stuff. Surely a NoH8 photo shoot must be coming?!
• The Feeling ~ In The Year 2525: Talking of charity, while I impatiently await a 3rd Feeling album (due next year or probably whenever Sophie Ellis Bextor deigns to release hers), they have recorded a rather spiffy version of the Zager & Evans number one hit. It's for the 1969 Key To Change album, which raises money for young homeless people. The track retains the slightly spaced out, hippy-esque vibe of the original, but marries it with the trademark layered vocals of the group and it's certainly nice to have this entirely pleasant stop gap until the new album comes out (or until I can start playing Feels Like Christmas again). Dan sounds positively luscious. As normal...

Top 21 songs of the week:

21 ~ Darin, Lovekiller
20 ~ Jesse McCartney, Shake
19 ~ Bjorn Johan Muri, Once Upon A Time
18 ~ Maroon 5, Give A Little More
17 ~ Elouise, The Winner Takes It All
16 ~ Nadine Coyle, Insatiable
15 ~ McFly, Shine A Light
14 ~ Charlotte Church, Back To Scratch
13 ~ James Blunt, Stay The Night
12 ~ Westlife, Safe
11 ~ Brandon Flowers, Only The Young
10 ~ JLS, Love You More
09 ~ Gravitonas, Religious
08 ~ Pink, Raise Your Glass
07 ~ Jessie J, Price Tag
06 ~ Robbie Williams, Shame
05 ~ Joe McElderry, Ambitions
04 ~ Shayne Ward, Gotta Be Somebody
03 ~ Robbie Williams, Heart & I
02 ~ Take That, The Flood (VID)
01 ~ Andrea Lewis ft Simon Curtis, Talk To Me (NE/1 Week)

Coming soon: Sat (Take That full video breakdown!); Sun (X Factor Live Shows 2); Mon (A1 & Big Time Rush album reviews)...

For Volume 3 - Part one click here. You know you want to...

• Dan Black ~ Gimme Into Cloudbusting: Possibly the most genius Madonna inspired cover/mash since Irish group Fifth Avenue blended a song about Infidelity over the Papa Don't Preach melody. It's a rather wonderful lo-fi reading of the song, seemingly seamlessly fused together with Kate Bush's tune alluded to in the title. It kind of just hovers at the periphery of sheer amazingness without even realising how special it is. And that is what totally makes me get into the groove about it. And all from a free mixtape! Aces!
• Blake Lewis ~ Love or Torture: Much like Jordin of the Sparks, Blake should have whizzed out three singles from his superior Heartbreak On Vinyl set at the end of last year (including the two he did, plus I Left My Baby For You). But he didn't and the title track of his album continues to win hearts through a more grass roots approach. That's ok - I still love it, but am paying more and more attention to this fiery electro-corker which sizzles from the very start. Please don't stop indeed. Blake knows how to use his 80s influences to great effect and if the world were paying attention this would be huge. True story!
• BWO ~ Rise To The Occassion (above): Ok, yes this was actually the third single from last year's Big Science, but I ignored that little fact back then and chose Love Come Crashing Down instead. I stand by that choice. This still works as a final single from an album - and one that bids farewell to BWO for a tiny while as thingy is concentrating on his new band Gravitonas. It represents all that is good about BWO - their ability to just knock out a solid pop tune that is instantly memorable and singalong, even if they aren't quite as groundbreaking as they used to be. Always enjoyable though. Hurry back.
• Agnes ~ Secret Love: Little Agnes is taking the Annie route to pop stardom - releasing a number of versions of her album all with different tracks on (apparently there is one with an Erik Hassle duet on?) Anyway, this is probably a decent type follow up to Release Me although not quite as pecs on the dancefloor tastic as that little number. It's all explosive disco beats and nowhere at all in the vicinity of being close to a Doris Day cover. She don't half wail the chorus though...
• Whitney Houston ~ Nothing But Love: Ah Whitters. Gawd bless her for continuing to try and most the time at least landing in the vicinity of the area she needed to be. This is probably a very sensible and well thought out follow up to Million Dollar Bill as it's essentially the same song with different lyrics. Now if the Freemasons do a remix it will go down proper bonza and climb from it's number 12 peak - particularly if she comes and does a bonkers performance of it on current show du jour, Dancing On Ice. Can you imagine?
• Mariah Carey ~ Up Out Of My Face: Ah Mazza. Gawd bless her for continuing to try and ... well you've heard this song before. And the Mariah one - she's not come out with her remixed Angel with anything new. At least it's familiar and inviting, if not her best work (that remains songs like Make It Happen, Always Be My Baby and All I Want For Christmas) and the video is a typical Mariah hoot. I stopped caring as intensely a long while ago yet the feelings still linger (longer than she does)...
• Miley Cyrus ~ Time of our Lives: I do have a soft spot of old Miles. I like when she sings "and the gaga song was on" in live performances of Party and does crazy cat moves. When I Look At You was a much better choice of download at Christmas than Joe's The Climb because essentially it was an updated version of her own song, but better. And with the EP that keeps giving this is a typically goofy fun tune that I can't help but have warm fuzzies for!
• Lady Antebellum ~ Need You Now: Damn you pop music notes for making me fall and fall hard for this song. It's just lovely isn't it? I have to be in the right mood for country music, but this gets me everytime. It's plainative, emotive, reckless and relatable in every note. Gorgeous melody and quite heart tugging. I can see why it's such a huge hit stateside and would be quite foolish to bet against the same thing happening here very soon...
• Amy MacDonald ~ Don't Tell Me: I have finally forgiven Amy for being very rude to a friend of mine at her concert once. Perhaps she was having an off day. LIke me today :/ Anyway, much like the tune above, this is one of those great emotive relationship songs that will probably fit in with you at some point in your life - future or past. Ergo it's instantly relatable and she does have quite a distinctive accent that makes the song memorable and lovely at the same time...
• John Barrowman ~ The Doctor And I: I can always count on John to deliver at least 2 knock out tunes on his albums. The last one had the Gary Barlow composition and of course the more than brilliant duet with gorgeous Daniel Boys on I Know Him So Well. He's back with a rewriting of the Wicked! musical song The Wizard and I. Reimagined here as almost a love song between Jack Harkness (Torchwood) and Doctor Who, it cleverly works in references from the DW universe ("do you think the doctor is dumb? Or like Oods so small minded?"). Of course the genius of the Wicked! version is that the lyrics pointed towards forthcoming events we all knew would come to pass ("I'd be so happy I could melt"/"there'll be a celebration all through Oz all because of me") that don't quite work as well here. And it gets a bit weird in the middle eight when the Doctor offers to, er, defabricate him! Oo-er. Overall though, it's quite engaging and very nearly amazing. (Ps - his duet with Jodie Prenger on the Enchanted song So Close is lovely too)...
• Robbie Williams ~ Morning Sun (below): Bit of a grower rather than a show-er; allegedly written about Michael Jackson, this third single is also the sports relief charity single (actual video here). Whatever happened to original one off songs for things like that? Anyway, it's very grand and lush and splendid, because, well, it's Robbie but really something like Starstruck or Difficult For Weirdos would have been more adventurous. Oh well. There's always single 4...

New artist special coming soon!